I entered the gallery space wearing my suit. The space was arranged to resemble my everyday working environment: my desk and chair, along with the familiar clutter—books, pill bottles, food, a lamp, a laptop, and a VR headset connected to a large monitor.

I sat at the desk, removed all my clothes, and placed them neatly into a desk drawer. I then put on the VR headset, took control of my in-game avatar, changed its appearance from a virtual suit into a flamboyant outfit, and began playing a game titled VR Fishing. Within the game, I was transported to a beach in Korea, where I started fishing. In less than twenty minutes, I caught six fish.

Afterwards, I changed my avatar back into a suit, exited the game, dressed myself again in the physical space, and left the gallery.

I have never been to Korea, and I have never caught a fish successfully.

我穿着西装进入展览空间。空间被布置成我日常的工作环境：一张书桌、一把椅子，以及桌面上熟悉而杂乱的物件——书籍、药瓶、食物、台灯、笔记本电脑，以及一套连接着大型显示器的 VR 设备。

我坐在书桌前，脱下所有衣物，并将它们整齐地塞进抽屉里。随后戴上 VR 眼镜，操控游戏中的角色，将其外观从虚拟的西装切换为一套夸张的服装，开始游玩一款名为《VR Fishing》的游戏。在游戏中，我被带到了一处位于韩国的海滩，并开始钓鱼。在不到二十分钟的时间里，我钓到了六条鱼。

之后，我将虚拟角色重新换回西装，退出游戏，在现实空间中重新穿好衣服，并离开展览空间。

我从未去过韩国，也从未成功钓上过一条鱼。

RELICS:
Whitechapel Gallery Books: Utopia and The Sublime;
Pill bottles;
Sex education book Position of the Day;
Monitor;
Uneaten omelette;
Lamp;
HP laptop;
Meta Quest 2 VR headset;
Wallet;
Office desk and chair;
Drawers.

Photo: Mali Liu