自2024年起，在经历了如“Moment”这类以空间性为核心的艺术创作之后，绘画语言开始重新被解构和理解。从描绘特定物体的具象表达，逐步转向对瞬间、场景，或更为抽象的状态进行诠释。这些绘画作品在表面上缺乏明确的主体，但画面中的元素却以一种矛盾的姿态相互对峙与交融。

该系列作品被简洁命名为“Room”，即“房间”。房间是我们日常生活的周遭，一个短暂停留或匆匆离去的空间。然而，但“Room”也在以微妙的变化晃动着。窗外的景色悄然更迭，门廊的尽头也未必通向出口。

Since 2024, following the exploration of spatially-centered artistic projects like ‘Moment’, the artist has begun to deconstruct and reinterpret the language of painting. Moving away from the figurative representation of specific objects, the focus has shifted toward the depiction of fleeting moments, scenes, or more abstract states of being. While these paintings may appear devoid of a distinct subject, the elements within the composition confront and intertwine with each other in a state of paradoxical tension.

This series is succinctly titled ‘Room.’ A room is the immediate environment of our everyday lives, a space where we may pause briefly or depart in haste. Yet "Room" itself is not static; it quivers with subtle transformations. The view outside the window shifts imperceptibly, and the end of the corridor does not necessarily lead to an exit.